Linguistic acts enjoy two dimensions. A usual dimension which is deprived of artistic manifestations and an artistic one which takes different forms due to not having any role as a reference. ln artistic language, various techniques are exploited. One method involves rhe repetition of sounds, words, and sentences. The first type appears at the level of lexicon, the second type at the sentence, and the third type at the wider and general level of speech chains. Sound and lexical repetitions are the most common forms though Persian poets made different uses o l these techniques and some ()f these poets occupied a crucial role in bringing about such works. Mowlana has extensively used this technique which has provided a great linguistic music. Furthermore, it becomes accessible to the readers, and is written in a simpler language. This paper aims at examining the diversity of such repetitions in Shams sonnets from solely Persian linguistic perspectives and reveals the emergence of such methods. A technique which is and is accounted as a p.rrticular feature of his poetries,
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