In the course of its socio-intellectual developments, literature in Iran has undergone a number of various and diverse ups and downs in regard to Poetry. Hereby, a comparative study about different literary periods provides us with perspectives that have instigated new ideas. Language development and appreciation of stylistic features are the by-products of contrastive analysis and criticism. In the course of these studies, analysis of the similarities and differences in the elements of Nima and Hindi poetry styles has been of less concern to literary researchers to date. By bringing up brief definitions of “Style” and the appraisal of ideas in this case, the present article seeks to analyze and expand some of the characterizations of form and meaning. It must be noted that this narrow scope has not made it possible for us to find elemental and point to point equivalents or fundamental discussions of the structures between these two styles. However, I have attempted to represent these significances in an analytical note.
)
