Feministic criticism of Bijan Najdi's stories
almas
tajerian
دانشجوی دانشگاه علامه طباطبایی
author
text
article
2007
per
Feministic criticism is one of the standard contemporary approaches that opposes to the way that female characters are presented in the literature. A female character in the works of male writers usually conforms to the views of a male-dominant culture, which follows the stereotypical molds in which the character is analyzed, and indicates that the author's expecta• tions of the. character are usually minimal and secondary to the dominant male. Female characters in Bijan Najdi's stories could be explored by the following perspectives: (1) Their major or minor role in the stories. (2) their simple/ sophisticated or static/ dynamic roles (3) The effect of their . role in the formation of events in the story. on these grounds, stories of the collection of his 30 short stories are briefly criticized.
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
7
23
https://ltr.atu.ac.ir/article_6389_f44420186679cad29be211abe8fb7811.pdf
dx.doi.org/10.22054/ltr.2007.6389
Analysis of the Structure and form of narration in the Persian lyric
maryam
heydari
دانشجوی دانشگاه علامه طباطبایی
author
text
article
2007
per
The poetry is considered not only the means of expressing imagination and personal feelings but also has the capacity of undertaking diversified functions. One of these functions is the narration of the story. The lyric as a poetic form is an issue of the elegy but with the passage of time being de• tached from elegy has got the special structure. Traditional lyric seems dis• connected in its form as it lacks a strong connection among the verses but narrative lyric follows a specific structure and form. The article "Analysis of the structure and form of narration in the Persian lyric" is composed of three parts: preface, body and conclusion of the article. By explaining and elaborating the structure and form of the narrative lyric ,a lyric of Attar is analyzed in this context
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
24
38
https://ltr.atu.ac.ir/article_6390_c4979b724484eaaf15fa8838e62e3b59.pdf
dx.doi.org/10.22054/ltr.2007.6390
Ideas Theory and Allegorical literature With com parative study of Zoroaster, Plato, Rumi and Jung's thoughts
farzad
gha'emi
هیئت علمی دانشگاه علامه طباطبایی
author
text
article
2007
per
The belief that Idealistic world has existed before material world, has been frequently attributed to Plato. However its origin dates back to Zoroaster ideology about Fravashi world. This theory influenced on the thoughts of Islamic philosophers and mystics as Rumi . In the theory of Jung , archetypes existence in Collective Unconscious can be a new interpre• tation or anthropological and psychological form of that ancient theory. These theories in literature, form the allegorical or symbolic literary structure which give such works a lwo-fold content. In this paper, the theories of Zoroaster, Plato, Rumi and Jung were compared (with especial reference to Rumi thought). and connections between these philosophies and literature and its samples in the literary works will be explored
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
39
61
https://ltr.atu.ac.ir/article_6391_99d88558177ec9e488f3c650d9cb38b6.pdf
dx.doi.org/10.22054/ltr.2007.6391
Nietzsche's manifestation in the form of an old man (as xenzer penzeri man)
mohammad kazem
kehdoui
هیئت علمی دانشگاه علامه طباطبایی
author
fatemeh
homayoun
دانشجوی دانشگاه علامه طباطبایی
author
text
article
2007
per
The way Nihilism is portrayed in Hedayat's works has regularly been stud• ied by researchers in literature. This paper tries to look at the six stays of Nihilism as portrayed by Nietzsche and the compare them to the style used the story of Human Mistake to depict Nihilism. By careful reading of "Buof-e koor", one realizes that the six phase Nihilism as stated by Nietzsche is Present in Hedayat's work. Hedayat has tried to portray the six phase Nihilism in the character of shabby old man ("pirmard-e xenzer penzerii"): Authore of "bouf-e koor" follows this old man to come out of the end of the story and to reach wisdom; the only difference is that in the end, contrary to Nietzsche, Hedayat is still engulfed in a mystic and misty world, whose fate and entity is a mystery to him. He is not as accomplished as Nietzsche in any of the sixth steps and his Nihilism never becomes practical
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
62
86
https://ltr.atu.ac.ir/article_6392_51c1e6b7890390b029cc27a3f25c848d.pdf
dx.doi.org/10.22054/ltr.2007.6392
Looking to pillars of aesthetics in "Hezareye Dovvome ahoyeh koohi" and "Ayeni Barayeh Sedahe"
fatemeh
modarresi
هیئت علمی دانشگاه علامه طباطبایی
author
sahereh
haghi
دانشجوی دانشگاه علامه طباطبایی
author
text
article
2007
per
What in this research are studies are aesthetics elements in two collections of M.Sereshk's poems. It should be noticed that unity, proportion and equilibrium have main role in image creation of sereshk. In verbal part specially in word and grammar elements and basis of aesthetics science exempt special embossment to his poet, in this case his poet has been never gone out of this range. This par ticular appear perfect in all of his poets especially in"hezarcye dovvome ahooye koohi". In this collection can not find a poet has solidity. From where since sereshk has perfect acquaintance with aesthetics basis all aes thetics basis in his poets is evident.
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
87
107
https://ltr.atu.ac.ir/article_6393_9de43de123b176520c7bb74700d7650d.pdf
dx.doi.org/10.22054/ltr.2007.6393
Banu gosasb nameh and Artemis myth
masoumeh
musai
دانشجوی دانشگاه علامه طباطبایی
author
text
article
2007
per
This article aisms to demonstrate that the character of "Banugosasb" is identical to Artemis, the Greek goddess. Hence, it could be argued that the spread of Greek mythology in the poet's region has had a great impact on the nature of this story.
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
108
121
https://ltr.atu.ac.ir/article_6394_2f2a2607a6ade008458bde51a3e2980c.pdf
dx.doi.org/10.22054/ltr.2007.6394
A Look at Georges Lokacs' Ideas on Marxist Criticism
shanaz
valipour
هیئت علمی دانشگاه علامه طباطبایی
author
text
article
2007
per
Georges Lokacs, the great critic and theoretician ofthe Marxist Criticism, with emphasizing the form of literary work,criticized the Trite Marxist which stresses the content of literary work.On the other hand,by emphasizing that the art must originate from life and have human content,he rejected For• malism.He says that art originates from life and reconstrncts it creatively. The intervention of the creative mind of the author in reconstructing the !ife realities refers to this point that,for Lokacs ,Naturalism which reports the mere realities,has a passive response towards life.He also criticized Modernism.According to him,in this kind of novel,the reality is repre• sented piece by piecc,the characters are problematic and separate from the world.For him,the realist novel must be a coherent whole with typical characters whose life and specific problems display their specific and fun• damental problems of humanity.He was the first to talk about "strnctures". Later,Goldman bcnefittcd from them in developing "The Genetic Strnctur• alism".For Lokacs.the relationship between Literature and Society exists not in content but in strucfures.N amely,there is a relationship between the literary work structures and the mental strnctures of a society,which forms the society's Collective Conscience.
Literary Text Research
Allameh Tabataba’i University
2251-7138
11
v.
31
no.
2007
122
136
https://ltr.atu.ac.ir/article_6395_04e9fdb0eb119aaa869c0b83b70eaed5.pdf
dx.doi.org/10.22054/ltr.2007.6395